![]() Exploring The Plus feels like moving through an archipelago of colorful islands where the experience and overview of the factory’s activities are unified. Like a flowchart, the entire interior is organized with the color of each machine overflowing to the floors. ![]() The layout enables an efficient, flexible, and transparent workflow between the manufacturing units and an intuitive visitor experience. The Plus is conceived as a radial array of four main production halls – a warehouse, color factory, wood factory, and the assembly – that connect at the center and generate the ‘plus’ shape at its intersection. LCD Berlin Leading Culture Destinations of the Year Award, 2020īuilding Awards International Project of the Year, 2020Īrchitizer A+ Awards Architecture + Engineering Jury Winner, 2020Īrchitizer A+ Awards Gallery & Exhibitions Jury and Popular Winner, 2020 Lesna Kamilla Heskje Katrine Juul Kekoa Charlot Kei Atsumi Kristoffer Negendahl Lasse Lyhne-Hansen Lone Fenger Albrechtsen Mads Mathias Pedersen Mael Joseph Jaques Barbe Martino Hutz Matteo Dragone Maxime Le Droupeet Mikkel Marcker Stubgaard Naysan John Foroudi Nick Adriaan Huizenga Norbert Nadudvari Ovidiu Munteanu Rasmus Rosenblad Rihards Dzelme Roberto Fabbri Ryohei Koike Sofiia Rokhmaniko Steen Kortbæk Svendsen Sunwoong Choi Tomas Karl Ramstrand Tommy Bjørnstrup Tore Banke Tyrone Cobcroft Ulla Hornsyld Xin Chen Carlos Suriñach Penella Alina Tamosiunaite Balaj Alin Iulian Christian Dahl David Tao Marcelina Kolasinska Richard Mui Tiina Liisa Juuti Ola Sobczyk AWARDS During the summer months, the café service area spills onto the plateau just outside.ījarke Ingels Finn Nørkjær David Zahle Jakob Lange Brian Yang Catherine Huang Ole Elkjær-Larsen Casey Tucker Aimee Louise Desert Alberto Menegazzo Aleksandra Domian Alessandro Zanini Andre Enrico Cassettari Zanolla Brage Hult Carlos Ramos Tenorio Channam Lei Christian Eugenius Kuczynski Claus Rytter Bruun de Neergaard Dag Præstegaard Edda Steingrimsdottir Espen Vik Eva Seo-Andersen Frederik Lyng Joanna M. A café is situated at this end of the gallery, where guests can enjoy snacks while taking in the view of the historic pulp mill and surrounding landscape. On the north end, a full-height glass wall offering panoramic views to the pulp mill and river tapers while curving upwards to form a 25 cm-wide strip of skylight. The panoramic gallery is a large open space suitable for sculptures and large installations, with the ability to be subdivided for special occasions and events. ![]() From this entrance, there is a clear view to the other end of the building, including the sloping gallery which is located along the main circulation ramp – guiding visitors to the panoramic gallery. The main entrance to the building is from the south, with the information center and visitor facilities such as a cloak and locker room, museum shop, and restrooms located nearby. The ability to compartmentalize, divide, or merge the gallery spaces creates flexibility for Kistefos’ artistic programming. From either direction, visitors experience the twisted gallery as though walking through a camera shutter. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |